When I first started storytelling back in 1993 I was very attracted to telling Inuit stories and used to ask my self~what right do I have to tell this story? When a story is not from my culture, why do you I want to tell it so much and how can I get under the skin of it.
How? When I have not been to where the story comes from?
This was a difficult question to answer.
Spanish / Catalan / Basque / Galician
Europa!
Where does Europe begin? Where does it end? Along what border, village, or mountain range...? Is it called Europa as in Sweden? Or is it Europe, as they say in England? Or again Evropa as in Serbo-Croatian? Is Europe a sign of separation, or rather a promise of overture? Is Europe defined by what makes us different or what makes us alike - through our desires and fears? And why, by the Gods, does Europe have the name of a Phoenician princess?
But whatever the answers might be that we continue to search for here, onething is sure - stories have always been able to travel far and wideacross Europe, needing neither passport nor visa, bringing along whatneeds to be said, and sharing generously with all who would like to listen.Stories have been presented here as ‘borderless’ and this is indeed the case. But at the same time they have roots, powerful roots, and roots can be of two natures: they can dig down deep into the earth, or run along just under the surface. The roots of storytelling share these two characteristics. They plunge profoundly into the culture or cultures of the country where they were born, but also spread out from the homeland and may grow in other lands, adapting to the local language and culture.
And if the imagery here has to do with the ground, the earth, it could be extended to the other traditional elements as well: stories have travelled over the seas with sailors and adventurers – so they can flow like water; they can be ‘airy ’ and ‘breathy ’ and be sung from one place to another; and they can even inflame you, as the tongues of fire in the biblical reference or in the image of the carnival fire eaters, and even in the Mayan as well as Chinese ideo-gramatical writing systems in which to speak is represented as fire spit from the mouth!
Among the objectives laid down in the AEDA statutes there are various references to providing visibility, dissemination and outreach for the activity of storytelling. For that reason, and in order to achieve those objectives, this web page was created and various social media accounts are managed; Facebook, Twitter, Storytellers' List and the monthly Bulletin. Even so, we believe that there are virtual environments in which news of the spoken word still lacks sufficient presence. We are referring specifically to mobile devices.
For that reason for the last six months AEDA has been working to set up an APP which is compatible with Andriod and iOS, which will allow access to information regarding storytelling from mobile devices (smartphones and tablets).
